Monday, September 08th 2008
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Twentieth Century Eightball (20th Century Eightball)

Twentieth Century Eightball (20th Century Eightball)


Price: $11.11
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Binding: Paperback
Dewey Decimal Number: 741.5
EAN: 9781560974369
ISBN: 1560974362
Label: Fantagraphics Books
Manufacturer: Fantagraphics Books
Number Of Items: 1
Number Of Pages: 112
Publication Date: 2002-08
Publisher: Fantagraphics Books
Studio: Fantagraphics Books

Customer review of: Twentieth Century Eightball (20th Century Eightball)

Customer Rating: Average rating of 3/5Average rating of 3/5Average rating of 3/5Average rating of 3/5Average rating of 3/5
Summary: Almost the opposite of Clowes' strengths
Comment: Clowes' strengths are his sublime pacing, wonderful atmosphere, and realistic characters - none of which he displays in his short stories. He is just, as Spiegelman says, a "wiseass." Some people like the early Eightballs because they're more comic than his later works, but Clowes cannot compete with the classic humor comics like Howard the Duck and Cerebus: High Society. His longer works, on the other hand, are top rate stuff.

These stories aren't bad, but they're not good either. Certainly not worth buying.

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: pretty good
Comment: pretty funny - I think it's better than Ice Haven
manic, quick, collection works together well

Customer Rating: Average rating of 4/5Average rating of 4/5Average rating of 4/5Average rating of 4/5Average rating of 4/5
Summary: A great laugh
Comment: I think I laughed more out loud while I read this than I have with my previous Clowes. While the Clowes I've read in the past is dark and haunting themes (Ghost World and Like a Velvet Glove), this is a filling dose of dark humor and venting of frustrations.
I might have given it five stars, but I'm not such a scraps-o-stories kinda gal. Lots of the stories had good starts, and either no endings or abrupt drop-offs.
And also, if I was fiendish about the way that my TPB's look, as in for resale value and such, I might have had a heart attack the way Amazon sent it. It looked like it might have been lying on a garage floor for a couple of years before they tossed it in the carton. The other comic I ordered arrived in mint condition and plastic-wrapped, so I dunno what the deal is.
I love Clowes more every time I read a new one, and this is no exception!

Customer Rating: Average rating of 1/5Average rating of 1/5Average rating of 1/5Average rating of 1/5Average rating of 1/5
Summary: Pretentious curmudgeonry best left under wraps
Comment: Clowes admits in his introduction that Art Spiegelman called Clowes' early work his "total wiseass period." He should've taken the hint.

As a fan of Daniel Clowes' "David Boring" and "Ghost World," as well as his screenplay based on the latter, I was disappointed to discover how much of a jerk he'd been early on. The rants remind me of my adolescence, but as Clowes was college-age and up when he first published these comics, immaturity is not an excuse. While this book will interest hardcore Clowes fans, I do not recommend it to the casual Clowes enjoyer.


Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Summary: The Product of a Sick and Warped Mind
Comment: But, so was Joseph Conrad's "Heart of Darkness" and Poe's "The Pit and the Pendulum." Only time will tell if his work will be included amongst such august company, but for the time being, Daniel Clowes stands at the top of the heap of today's comic book artists.

Twentieth Century Eightball is an omnibus, "best of" collection of his comic panels from his Fantagraphic comic book series "Eightball" which was issued semiannually from the late 1980s through the 1990s.

Clowes' rapist (pun intended) wit is in overdrive here, as he expounds on his endless lists of things he hates, often in the guise of such stand-ins as the now-classic Lloyd Llewellyn. "I Hate You Deeply" and "I Love You Tenderly" will have you howling like a banshee, as you follow Lloyd through one of his ranting diatribes against sports figures, corporate greed, hippy sellouts and lowest-common-denominators.

And that's basically the whole book: Thinly-veiled attacks on all the things that bother the idosyncratic Daniel Clowes. But, so what: They deserve bashing! My favourite targets of his ire were post-modernist talentless art school poseurs, violently agressive hippy burnout peaceniks, "hip" people, Chicagoan "Jim Belushi" types, dumb jocks and pretentious Americans such as I who use the British spelling of words (e.g., "colour" instead of "color"; "kerb" rather than "curb").

Some of the material is just too bizarre to describe here -- I don't want to give away the weirdness, so find out for yourself about "On Sports," "Pogeybait," "The Happy Fisherman" and other such sundry freakishness.

But this book also reveals a soft-spot in Clowes' heart, particularly in the short "Ugly Girls," in which he questions society's norms of "beauty." Though he doesn't use the name "Enid," the reader can tell that Clowes has long been entranced and obsessed with the raven-haired, bookish, bespectacled wallflower type. I agree: She *is* much more stunning than those trophy blondes.



Editorial Reviews:

Trailing the success of the movie based on Clowes' graphic novel Ghost World (1997) comes this collection of shorter stories from his alternative comic book Eightball. Many of the pieces are tirades, albeit entertaining ones, about things Clowes despises (perhaps the comic should have been called Hateball). "On Sports" details his contempt for professional athletics, and "Art School Confidential" is an expose of pretentious, talentless poseurs. This approach is carried to its logical peak in "I Hate You Deeply," a litany of the "types" that annoy Clowes, from "fashion plates" to "crybabies, whiners, and sensitive people." Clowes puts his misanthropy in abeyance for slice-of-life stories in which he ruminates during a stroll around his neighborhood or fantasizes about his fellow passengers on a subway. Worthwhile enough, these earlier stories merely presage Clowes' far-more-impressive recent work in which cynicism is presented more subtly, leavened with sympathy, and voiced by well-developed characters. If these pieces lack the heft of Clowes' longer, more ambitious efforts, the best of them are still masterful miniatures.

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