The Sandman Vol. 2: The Doll's House

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Binding: Paperback Dewey Decimal Number: 741.5973 EAN: 9780930289591 ISBN: 0930289595 Label: Vertigo Manufacturer: Vertigo Number Of Items: 1 Number Of Pages: 256 Publication Date: 1991-09-01 Publisher: Vertigo Release Date: 1991-09-01 Studio: Vertigo
Customer review of: The Sandman Vol. 2: The Doll's House Customer Rating: Summary: Great Storytelling!!! Comment: Blood and Rain Blood for the Masses From a review originally published in SavageNight E-zine The Sandman: The Doll's House, Volume 2 Written by Neil Gaiman Various illustrators. Review by B.L.Morgan This book took us further into the mythos of who The Sandman is and how at different times he's affected history. A few of the stories do not directly feature The Sandman but they are very fine stories anyway. The stories are emotional. The artwork is moody and reflect the stories emotional impact perfectly. I highly recommend this entire series. Customer Rating: Summary: nobody does it better Comment: Brilliant writing! Moody, at times surreal and other times frighteningly gritty. The art is delightfully murky, leaving the reader feeling like storm clouds have passed over the brightest day. Read these years ago but just buying them now. Gaiman is the master of creating modern myth for the "alternative" reader. Customer Rating: Summary: Full of High Highs and Low Lows Comment: It's not as great as people are saying, but I've still got my fingers crossed that it will get better. But "The Doll's House" was enjoyable. It had its stronger parts, and it indeed had its weaker parts. The build-up was great, and had a huge amount of pay-off in the penultimate issue as well as the conclusion. However, I felt that Gaiman took way too long to introduce the idea of a vortex. Even an off-hand comment (in the main narrative of the arc) would have been sufficient, as the introduction of the idea of a vortex took place in the second-to-last issue. It felt like the main plot of the arc was being introduced too late, but I must say that I really enjoyed what Gaiman did with the it when he finally got the ball rolling. The characterization is great. The quirky good guys leap off the page with their complexities and over-the-topness, and the bad guys evoke true fear deep in the gut. Not all of it is good, though. The initial scene with Desire is really awkward, and not that good a way to start the arc. The first few issues have that feeling that Gaiman is meandering about, devoting three or four issues to plot development he could have done in two, and been the better for it. Gaiman is at his best here when he strays from the main plot. There is a one-shot issue (called "Doll's House Part Four", which is beyond me, as it has absolutely nothing to do with the main plot and should have been placed after these issues as to not interrupt the flow of the story) called "Men of Good Fortune," in which Dream 'befriends' a man who is intent on not dying. Their conversations span years, and we get to see through Dream how life has been good and bad to this man, all in the context of England's history, which Gaiman masterfully weaves in. From that point on, the book stays consistently enjoyable. Gaiman is, however, at his worst while writing about Brut, Glob, the dead man who thinks he's a super hero, and his old (alive) wife who doesn't want to lose him. That whole plot-line seems utterly out of place and extremely contrived. It made for unpleasant reading, but thankfully the rest of the book mostly made up for it. Since we're on the subject of the weaker aspects of the Sandman, the art still isn't the best for me. Sometimes it seems like the pages were intended to be sketches, and they decided to color 'em up and use them for the actual comic. The coloring is inconsistent, in that in one panel a guy's moustache is orange, the next panel it's bright yellow, and then for the rest of the comic its orange. This happens more than once. The art, like the story, does begin to click in the final issues, especially during the scene between Dream and Rose when she becomes the vortex. But I hope there will be more consistency and quality next time. All in all, I'm still waiting for this series to get better, but there was enough quality in this to convince me to buy the third volume. 7/10 Customer Rating: Summary: Not only a great comic Comment: This 2nd Sandman volume was hands down one of the best things I've ever read.(I'm through Vol.4 so far) I know Vol. 3 won awards and was also a good read, but a Cereal convention for serial killers, a 70's Sandman etc. This volume was truly amazing. I had planned to buy, read and resell the series when I was done. This vol. changed my mind. I'll keep and reread them forever. Customer Rating: Summary: the natural progression Comment: Vol 2 is still early in the series and Gaiman is still feeling out the character and what all is possible in this series. It's really good, but I don't think it's quite at its zenith yet, to deserve the reputation it has, but I'm looking forward to the next volume to see how Gaiman and the Sandman grow.
Editorial Reviews: The immense popularity of Neil Gaiman's Sandman series is due in largepart to the development of his characters. In The Doll's House, the second book of the Sandman magnum opus, Gaiman continues to build the foundation for the larger story, introducing us to more of the Dream King's family of the Endless.The Sandman returns to his kingdom of the Dreaming after nearly a century of imprisonment, finding several things out of place; most importantly, an anomaly called a dream vortex has manifested itself in the form of a young girl who unknowingly threatens to rip apart the Dreaming. And there's the smaller matter of a few nightmares having escaped. Among them is Gaiman's creepiest creation: the Corinthian, a serial killer with a miniature set of teeth in each eye socket. Because later volumes concentrate so much on human relationships with Gaiman's signature fair for fantasy and mythology, it is sometimes easy to forget that the Sandman series started out as a horror comic. This book grabs you and doesn't let you forget that so easily. --Jim Pascoe
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